They All Come Back for “Terminator: Dark Fate” Film Review by Alex Moore

They All Come Back for “Terminator: Dark Fate”

Film Review by Alex Moore

Some movie franchises have the long-lasting power of seduction, through nostalgia. It might be a single string of musical notes or an iconic figure or slogan, of sorts… or, perhaps, a combination of all of these. The underlying point is that sequels keep being made because the people involved have no reason to stop. While some supposed fans, or critics, might be pleading, or shouting, for a halt, as long as the money is flowing at a positively-expectant pace, nothing is bound to change.

Like most people from my generation, I remember where I was when I saw specific moments from the early “Terminator” franchise, particularly the first sequel. Even though many fans have not lost sight of the franchise, as it has continued through the past couple of decades, I still cling to the first two films as though there were a hard line drawn in the sand, so to speak, by which I shall not cross… and I have no shame in that.

Tim Miller (“Deadpool”) directs for the first time in this franchise. He, also, is credited with Co-creative consultant, but has yet to be involved as a Writer or Producer in any of his major films. Although David Goyer (“Batman v Superman: Dawn of Justice”) and Billy Ray (“Gemini Man”) wrote the screenplay, James Cameron, among others, was involved as a contributor of the story, itself. He is, also, a major Producer on the project. It should be noted that Cameron has not been involved in the capacity of Director for this franchise since the original sequel, way back in 1991.

As the movie begins, flashes of moments in prior films of the franchise grace the screen and set up the latest chapter. One particular moment brought a smile to my face: watching the iconic terminators rise up from the water, approaching the beaches of humanity. I was only missing the old music theme, which would have completed the experience, in my view… the story takes us to modern times, in a parallel universe, if you will, somewhere in Mexico City, Mexico. However, we are soon faced with a confrontation from the future, which is 2042, this time around. Right away, we can see a distinction between the two figures, though they are both impressive. Mackenzie Davis (“Blade Runner 2049”) is Grace, a cybernetically-enhanced soldier, sent to protect a character to be named later, who will go on to change the course of history for mankind. She gives chase to a Rev-9, also known as Gabriel, and played by Gabriel Luna (“Transpecos”). He is built with every advantage and seems invincible. Hopefully, this all sounds familiar.

Both characters are in hot pursuit of Daniella Ramos, played by Natalia Reyes (“Birds of Passage”), a relative newcomer to the big screen. It is believed that she is the next Sarah Connor, of sorts, but be prepared for a modern and obvious twist. One that some might find sacrilegious, as well. Nevertheless, her acting performance is good, though a bit uneven, which would be the fault of the writing, in this case. Dare I say, I think she may have been miscast… Speaking of Connor, the reprisal of Linda Hamilton (“Bermuda Tentacles”) is officially back, as the voice of the character from 2009’s franchise entry, “Terminator Salvation,” was uncredited. Also returning, as T-800/Carl, is Arnold Schwarzenegger (“Viy 2: Journey to China”). There is no surprise with that. I would even go so far as say that if Arnold’s character were absent from the movie, my overall score would drop by at least one point. I must say, however, that his interaction with Connor was tiresome after a short amount of time.

“Terminator: Dark Fate” meets the usual expectations for the franchise, concerning action. They remain top-notch. I appreciate the fact that the special effects are not too much of a departure from the previous entries, therefore adding continuity and giving them a chance to stand up to the test of time. However, expectations, concerning the dialogue, also meet usual expectations, which are not nearly as high. No one should expect Shakespeare, though, including me, and I do not mean that as an insult.

As I mentioned before, there is a modern twist within the story, but there is more: the women in this film are in control and they are giving all of the orders. Hardly anyone living in the real world is void of a dominant woman in their life, but there is still resistance to a character dynamic such as this one. I would say that if anyone complains about this being unrealistic, please understand that this is still a movie and suspending reality is a part of the process and the experience, in favor of certain ideals, subject to those involved with the making of the movie.

Personally, I believe the premise of “Terminator” should run its course. Even with the inclusion of former principles to this latest sequel, there is little, to nothing, new on the table and certain people are well-past their primes. Of course, if the money continues to flow, my prediction or opinion on the matter mean absolutely nothing. I did not mind this movie and I think the most dedicated fans will not be disappointed, but all things must come to an end, right?